Spring has sprung, the grass has risen and the clocks have changed. The light is stronger every day, which means I can now see all the dust and debris of the winter. I’m absolutely certain this is where the whole idea of spring-cleaning comes from – there is light and warmth enough to go outside and do the damn washing that’s been mounting up over the cold dark winter fo smoky fires and multiple blankets.
Yes, we don’t (thank God) live like that anymore in the urban west, but I think it’s the root of the concept.
In the spirit of tradition, therefore, I am doing some spring-cleaning. I have ruthlessly (well – relatively) cleared out my wardrobe of clothes I don’t wear, donated to charity a load of books I won’t re-read, and I am now contemplating eBay as a way to get rid of the bigger ticket junk that is preventing me from reaching my filing system (literally. It’s in front of it, because that’s the only place it fits) and which I only still possess because it was expensive and has a resale value – I hope.
The trouble with clearing out and decluttering, I have discovered anew, is that when the shelves are clear, you can’t pretend not to see the dust. And boy, oh boy, is London ever a dusty old town. I clean and sweep and two days later – dustballs the size of tumbleweed are rolling insolently across the floor any time the breeze blows in.
I have still to clear out my desk of pens that don’t work and ancient post-its to self, but that will need courage in the face of my stationery addiction. I know. What can I say? I prefer stationery suppliers to fashion stores (they don’t involve fitting rooms).
But I am also determined that this year, this season, I will manage to clear out the rest of my life. After all, why should the seasonal revamp stop with my living space? I’ve been trying – not overly successfully – to do this all year, but with the longer days and nicer weather, I am running out of excuses.
The aim of this blog is to help me focus on editing my life – and that’s editing in the film sense, not the journalist one. In film, unlike writing, it’s not about rewrites/reshoots. In film, you do NOT want to have to do “pick ups” – they’re expensive, time-consuming to set up, a nightmare for continuity and a general migraine for production - which is why you always shoot too much in the first place.
I want to try to leave as much as possible on the cutting room floor without compromising “the film” – a lot of what gets filmed for any show or movie is extraneous, is there to cover the angles and to give the edit options, in case another shot doesn’t work or doesn’t cut smoothly. The editor decides which shots to use to tell the story as fully and eloquently as possible within the time allowed. Everything else ends up – well, these days, deleted or boxed up in archive. And thus, the audience sees the finished, polished, fluent version, in which every scene and every shot adds to the arc of the narrative. I would like my life to be that ordered, to feel that organised and purposeful. I know it never will because it’s life and has no neat and tidy narrative, but if life really is only what we make it, why can’t I write my own?